Duchampian News & Views

  • Rrose’s Shoe (Large)

    A bicycle wheel bisects Marcel Duchamp and Rrose Selavy in William Schinsky’s shoe-based work "Duchamp/Selavy," on display in Palm Desert, California for much of this summer. As Schinsky points out, Duchamp was indeed a courageous gentleman who "did things out of the mainstream.

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  • Treating Kitchen Tools Like Readymade Treasure

    The Duchampian idea of readymade as household tool abstracted from its useful context receives new nuances in Indian artist Subodh Gupta’s "Chimta" series, which assembles thousands of steel bread tongs into monumental aggregates. One such piece, from 2003, will be auctioned off at Christie’s in London next week. Estimated sales price is in the $250,000 to $350,000 range.

     

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  • The Magic of Beatrice Wood

    Notorious Duchamp collaborator Beatrice Wood recently won favorable notice in the New York Times for her "whimsical and playful" ceramic universe. The subversive and often erotic figural work apparently passed without notice but Duchamp scholars will likely find plenty of earthy humor frozen in clay.

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  • Louise Bourgeois, 1911-2010

    Louise Bourgeois, the noted sculptor who knew and worked with many of the seminal members of the surrealist group (including Marcel Duchamp), died Monday in New York. She was 98 years old and had been producing horrors, marvels and enigmas for seven decades.

     

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  • Making a House Less Like Home

    The Barbican gallery’s "Surreal House" exhibit has opened and is drawing insightful reviews, most recently from the Financial Times. If the act of building and maintaining a home reflects the process of being in the world, then the surrealist project subverts that process by making "home" un-homelike.

     

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  • Reinventing the Wheels

    As the curator of a new show at Princeton's Paul Robeson Center of Art points out, sometimes progress is really a matter of circling back around to the origin, only to see the place for the first time. In other words, history can be all about reinventing the wheel. The show, which runs through July 2, takes a new spin on Marcel Duchamp's "assisted readymades" by placing the iconic mounted Bicycle Wheel in a new and mobile context. Can it be spun, and if so, will it.. read more...
  • Readymade or Relic: The Economics of Fine Art

    When collectors pay $10 million, $100 million or more for a numinous Picasso, Giacometti or Van Gogh, what are they buying? What value does the artist add through labor, vision, experience and, ultimately, signature? Why do objects with a peripheral or disputed association with a bankable body of work take on something of the aura of medieval relics?

    Who was R. Mutt?

     

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  • Christian Boltanski and the Persistence of Duchamp

    Recent critical reception of conceptual artist Christian Boltanski's work (such as No Man's Land, in which menswear is sifted endlessly) has struggled to invoke the legacy of Marcel Duchamp as patron of the "big questions" about the function of art, or at very least the instigator of the little gestures of art-as-provocation. Boltanski himself appears more conflicted in his relationship to the readymade master, having deliberately erased the portions of his collect.. read more...
  • A Twisted Pair: Duchamp/Warhol

    The Andy Warhol Museum is holding a special retrospective of the connections between Warhol and Duchamp; as the museum promises, "many Duchamp works" are on loan from the Moderna Musee in Stockholm, and new archival material should generate new insights into how Warhol viewed Duchamp and how their works -- now enshrined on opposite ends of Pennsylvania -- inform each other. (Through September 5;  www.warhol.org.)  .. read more...