“Raymond Duchamp-Villon’s began work on the plaster original of The Horse, a composite image of an animal and machine, in 1914, finishing it on leaves from military duty in the fall. It was preceded by numerous sketches and by several other versions initiated in 1913. The original conception did not include the machine and was relatively naturalistic, as is evident in the early states of the small Horse and Rider of 1914. “…